林苒，生于中国福州，任教于厦门集美大学美术学院。2018年9月创立偷偷摸摸美术馆并任馆长，2019年10月创立艺术治疗群体心理学研究项目“人类情感研究所”，并把2012年开始的终身计划装置作品《一立方米的信任》 纳入该研究所做为群体心理学艺术治疗案例。工作和生活于厦门和欧洲。
在法国留学和工作7年。先后毕业于法国巴黎国立高等美术学院当代造型艺术专业与法国鲁昂国立高等美院新媒体艺术专业双硕士。厦门大学人文学院新媒体艺术方向博士。曾任雅昌艺术网艺术批评专栏作者，发表艺术评论文章百万余字。
林苒的作品以叙事性、故事性、社会学和文本性的方法论，探索和讨论现代社会的空间与剧场，女性主义以及超性别艺术，群体心理学以及集体记忆。作品常常以社会学文化研究与田野调查为基础，运用多重媒材影像（video）、动画、实验绘画、装置等艺术方式融通互鉴，探索自身的生活经验以及当下社会现实。
作为在国内接受基础艺术教育，又旅法多年接受系统欧洲哲学思考与美学训练的艺术家林苒，其自身经历、地域身份和价值认同确定了其创作的风格和主题，但是其复杂而多元的经历和身份，也让她的创作难以用简单符号来概括。
林苒2019年受邀澳大利亚悉尼Budanon艺术中心驻留艺术家并举办个展。在世界多个城市多次举办个展，参加过第9届上海双年展，美国密歇根州布罗德美术馆《内燃》女性艺术展览，第一届与第五届集美.阿尔勒国际摄影节，法国巴黎国际超短片节，法国克莱蒙费朗国际短片节独立艺术家邀请展，地中海国际电影节短片单元，中国马来西亚建交40周年展，福建省美术馆 《缺席的身份》中国女性艺术家全国提名展等中国和国际大型展览。作品被诸多重要的国内外公共艺术机构、高奢品牌以及私人藏家收藏。
LinRan
Artist, researcher and creator of new media art， born in Fuzhou, China, teaches at the Academy of Fine Arts, Jimei University, Xiamen. In September 2018, she founded the Furtively Art Museum and served as the curator. In October 2019, she founded the Human Emotion Research Institute(SensLAB), an art therapy group psychology research project. The life Project installation "One Cubic meter of Trust", which started in 2012, was incorporated into the institute as an art therapy case of group psychology. She lives and works in Xiamen and Europe.
She teaches at the Academy of Fine Arts, Jimei University, and lives and works in Xiamen and Europe.
She studied and worked in France for 7 years. She graduated from Ecole Nationale Superieure des Beaux-Arts de Paris in contemporary plastic arts and Ecole Nationale Superieure des Beaux-Arts de Rouen in new media art. Doctoral candidate in new media art direction of Humanities College of Xiamen University. She was once a columnist of art criticism on Artron, and published more than one million words of art criticism articles.
Lin Ran's works explore and discuss space and theater in modern society, feminism and transgender art, group psychology and collective memory using narrative, narrative, sociological and textual methodologies. The works are often based on sociological and cultural research and fieldwork, and use multi-media video, animation, experimental painting, installation and other artistic methods to integrate and learn from each other, so as to explore one's own life experience and current social reality.
As receive basic art education at homeland, and integration of system European philosophical thinking and aesthetic training for many years the artist Lin Ran, their own experience, regional identity and value identity determines its creation style and theme, but the complex and diverse experience and identity, and let her works hard to use simple symbols to generalization.
In 2019, Lin Ran was invited to be a resident artist and hold a solo exhibition at Bundanon Art Center in Sydney, Australia. She has held many solo exhibitions around the world and participated in the 9th Shanghai Biennale; the first and fifth Jimei-Arles international photography festival, ; Women's Art Exhibition "Internal Combustion" in the Broad Museum of Art in Michigan, USA. France international super short film festival in Paris; France clermont-ferrand international film festival independent artists invitational exhibition; International film festival video unit in the Mediterranean; Art fair in Malaysia; China the 40th anniversary of diplomatic relations between China and Malaysia exhibition; China's fujian province art museum "absent the identity of the" national nominating Chinese women artists exhibition and other Chinese and international large-scale exhibition. Works have been collected by many important domestic and international public art institutions, luxury brands and private collectors.
website: www.linran.net
opensea- AIOdia
装置作品《一立方米的信任》 ，北京798幻艺术中心不一定展览
装置：我想给他一张可以安睡的床， 2019三影堂摄影艺术中心个展
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